Track naming conventions for film post-production in Pro Tools?

I’m looking for advice on how to properly name tracks in Pro Tools when working on film post-production. I want my sessions to be well-organized and clear for myself and others in the pipeline.

For example, do you use specific prefixes for dialogue, SFX, Foley, or music? How do you differentiate between production audio and ADR? What about grouping and naming stems for delivery?

If you have a standard system or tips for staying consistent and efficient, I’d love to hear them!